![]() Like his compatriots, he is a man who chooses order and familiarity over engagement with the world. The audience joins in on a game of make-believe as we journey from Brindisi to Suez and beyond, delighting in the stage tricks that make the fantasy possible.Įason’s script wears its politics lightly, but it makes a connection between Fogg’s machine-like punctuality and the indifference of empire. Louie Whitemore’s revolving stage is largely bare but for the eight-strong ensemble emulating everything from framed portraits to steam engines, under the excellent movement direction of Jess Williams. Photograph: Chris PayneĪll this is wittily represented in a production by Hal Chambers that revels in the spirit of invention. Around the World in 80 Days at the Theatre by the Lake. ![]()
0 Comments
Leave a Reply. |